Adieu Jasmin
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We will miss you…
a princess…, by theefer
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Having unexpectedly survived the Friday evening at the pub with my colleagues, I set off on Saturday evening to have dinner with friends at David’s place, in Elephant & Castle (which is officially the best name ever).
Once all the great food and wine and whiskey were over, we left to find a floor to dance on. We passed by the Ministry of Sound, but the queue of Swedish proportions didn’t seem that inviting, so we carried on walking towards London Bridge. Another club, seOne, also boasted a long line of the weirdest people imaginable: guys disguised as smurfs, dressed up transvestites of unidentifiable genre, gals following fashion rules of an alternative and definitely distant parallel universe. All of this in a brick tunnel pulsing with the loud, rapid hardcore beats of the music inside. We pressed on again.
Eventually, we found what we were looking for right next to the entrance of the London Bridge tube station. There was no queue at all (all the artist performances inside were already over), which reinforced the Harry Potter’s platform 9-3/4 feeling of the almost invisible door: walk quickly, pretend you’re going to enter the tube station and you’ll get into the club. Which we did.
Inside, arches of bricks expanded into a long empty tunnel lightly illuminated by sparse candles and various artsy audio-visual installations. At its end, the tunnel opened on the spacey rooms that, we realised, were all part of this huge underground club. There was a movie theatre with red velveted seats stolen right out of a surreal dream, there was a small elevated stage on which people were dancing now, there was a room painted in white with crystal lights and paper birds hanging from the ceiling, there was a babyfoot, there was a bar in a dark corner, there were impossibly immaculate toilets, and there was an improvised dancefloor with plenty of room to dance on the random pop music that was playing.
For the Lausanne people, it could roughly correspond to an exponentially enlarged Romandie, processed through a series of drug-induced dreams/nightmares right out of David Lynch’s mind.
When we left, I asked the doorman what was the name of the place.
“The Shunt“, he replied.
We walked to London Bridge. While waiting for the night bus, we stood against the chilly wind peering into the night at the Thames and, farther away, the illuminated structure of Tower Bridge.
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As I was saying in yesterday’s post, it has been snowing last night.
Well it turns out it hasn’t stopped, and it brought pretty much the whole city of London down to a halt. Not that we’re anywhere near some “Day After Tomorrow” scenario with liners ships unexpectedly showing up around Oxford Circus. It is a mere 15-20cm of snow, which would be a disappointment in Switzerland, but it’s still the heaviest snow in 18 years here.
Which means today there was no tube, no bus, no trains, at least not where I live. Taxis were overwhelmed and slow. Even after only three weeks of living in London, a street free of massive red double-deckers is about as peculiar as seeing someone carrying skis along the Thames. Which I also saw this morning, when I went for a walk around the neighbourhood to take pictures (see the Flickr set) while waiting for 10am, at which point I could ring the office to get remote access to my computer there, since there was no way for me to come in physically anyway.
It turns out many people don’t have jobs who can be transparently performed over SSH, HTTP and XMPP, and all these people (up to a fifth of the workers) seemed to be busy shopping, taking pictures and throwing snowballs.
Now, let’s see how many days it will take to clear the mess up and go back to normal… The snow is still here.
White roads, by theefer
Petite escapade nocturne vendredi, après le pub avec les collègues, pour aller voir Max Tundra à Cargo, à deux pas de mon bureau à Londres. Entrée gratuite pour le concert de l’auteur d’un de mes albums préférés de 2008, Parallax Error Beheads You, dont j’avais déjà parlé ici. A déguster d’urgence.
Le concert à proprement parler était tout à fait chouette, et m’a permis de découvrir que:
Et comme je lui ai promis de faire de la pub: pour les suisses, il passera au Bad Bonn à Düdingen le 21 février… Allez-y!
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And yet, it isn’t raining. Not as I speak. Not inside, anyway.
Instead, the roofs are all covered with a soft layer of fresh snow. The sky adopted a gloomy, reddish grey texture, the texture of winter nights.
I have been in London for merely three weeks, and I’m still struggling to figure out how to turn this new adventure into a new and interesting/entertaining iteration of this blog. I’m only beginning to find my marks here as I pass daily by all the local hyper-places: Waterloo, London Bridge, Piccadilly Circus, Brick Lane.
Deeper thoughts and stories will come in due time, but for the moment, I will simply quote Georges Baumgartner, the famous Swiss correspondent in Tokyo, whom I’m going to have to translate to maintain the linguistic coherence of this post, since I arbitrarily started writing it in English (later posts might come out in other languages, though I will try to spare you of Swedish tribulations). In closing of a very interesting week of reports “Un dromadaire sur l’épaule” did about Japan, he said:
[...] in Switzerland, there are people who are very well adapted to live in Switzerland, like in Porrentruy, where I’m from. For instance I knew someone who lived in Porrentruy and who told me that going to Delémont, passing the Col des Rangiers, was already like passing a frontier and it seemed very far to him.
And there are other people who might not fit in their own country and who need to find a place in the world where they can put up with themselves.
I don’t repudiate where I’m from. I’m in transit. We’re in transit. We’re all in transit.
Comme chaque année, l’excellent Bon pour les oreilles, blog musical helvète et pointu de Christophe Schenk, a invité ses lecteurs à s’adonner au jeu de l’album préféré de l’année. Des coups de coeur à découvrir, auquel j’ai modestement participé avec
ma critique du délicieux album Parallax Error Beheads You de Max Tundra.
De quoi faire le plein des oreilles dans les minutes restantes avant 2009!